Elizabeth Kunoth Kngwarreye b. 1961
Yam Seeds in My Grandmother's Country by Elizabeth Kunoth Kngwarreye, 2023
64 x 119 cm
25 1/4 x 46 7/8 inches
25 1/4 x 46 7/8 inches
acrylic on linen
TIAA-EK202317
Copyright The Artist
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*Please note that the intricate technique used by Elizabeth means that the paint refracts light in a unique way that is difficult to capture in a flat image. This palette...
*Please note that the intricate technique used by Elizabeth means that the paint refracts light in a unique way that is difficult to capture in a flat image. This palette comprises of a vibrant royal blue with metallic soft pink, metallic gold and metallic silver onto black primed linen. If you have a genuine interest in this work, please contact us if you require more detailed images.
Elizabeth is the daughter of the late artist Nancy Petyarre, and through the complex Aboriginal kinship system, Elizabeth is also the
granddaughter of one of the most revered Utopian artists, Emily Kame
Kngwarreye. Through thousands of tiny rhythmic strokes,
Elizabeth depicts the movement of the pencil yam seeds (kame) as they are
thrown into the wind, dispersed across Atnangkere, her ancestral country. Elizabeth paints some of the yam seeds
larger than others indicating a plumpness if there has been rain. She also
employs colour to depict the yam seeds and leaves that have dried out and those
that are still supple.
Elizabeth is the daughter of the late artist Nancy Petyarre, and through the complex Aboriginal kinship system, Elizabeth is also the
granddaughter of one of the most revered Utopian artists, Emily Kame
Kngwarreye. Through thousands of tiny rhythmic strokes,
Elizabeth depicts the movement of the pencil yam seeds (kame) as they are
thrown into the wind, dispersed across Atnangkere, her ancestral country. Elizabeth paints some of the yam seeds
larger than others indicating a plumpness if there has been rain. She also
employs colour to depict the yam seeds and leaves that have dried out and those
that are still supple.